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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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3209
PIANO & CLAVIERS
Piano seul
1530
Piano Facile
640
Piano, Voix et Guitare
489
Piano, Voix
426
Orgue
72
Instruments en Do
68
1 Piano, 4 mains
65
Accordéon
53
Accompagnement Piano
30
Piano Trio: piano, violon, violoncelle
29
Piano grosses notes
28
Piano (partie séparée)
11
Piano Quatuor: piano, 2 violons, violoncelle
11
2 Pianos, 4 mains
8
Piano Quatuor: piano, violon, alto, violoncelle
8
Clavier
5
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Clavecin
3
2 Pianos, 8 mains
2
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1
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GUITARES
Guitare notes et tablatures
308
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47
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15
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10
Dulcimer
7
Mandoline
7
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5
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3
Guitare Pedal Steel
3
4 Guitares (Quatuor)
2
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1
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1
3 Guitares (trio)
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VOIX
Chorale SATB
508
Chorale 3 parties
158
Chorale 2 parties
89
Chorale TTBB
82
Chorale Unison
72
Chorale SSAA
68
Voix duo, Piano
35
Voix d'Enfants
26
Voix seule
24
Voix haute
13
Voix duo
13
Voix moyenne, Piano
12
Voix basse, Piano
7
Voix Alto, Piano
7
Voix Soprano, Piano
6
Chorale
6
Voix Tenor
3
Voix d'Enfants, Piano
2
Voix Soprano
2
Chorale SSATTB
2
Chorale SSAATTBB
1
Voix basse
1
Chorale SSAATB
1
Voix, Guitare
1
Voix Baryton, Piano
1
Chorale, Orgue
1
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VENTS
Hautbois, Piano (duo)
203
Flûte traversière et Piano
201
Clarinette
167
Quintette de Saxophone: 5 saxophones
150
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
147
Quatuor de Saxophones: 4 saxophones
121
Saxophone (partie séparée)
109
Flûte traversière
108
Saxophone Alto et Piano
106
2 Saxophones (duo)
100
Ensemble de saxophones
98
Saxophone Alto
82
Clarinette et Piano
74
Saxophone Tenor et Piano
73
2 Flûtes traversières (duo)
72
Quatuor de Clarinettes: 4 clarinettes
70
Flûte, Hautbois, Clarinette, Basson
68
2 Clarinettes (duo)
57
Saxophone Soprano et Piano
48
Hautbois (partie séparée)
48
Ensemble de Clarinettes
47
Quatuor de Flûtes : 4 flûtes
38
Flûte, Clarinette (duo)
36
Saxophone, Clarinette (duo)
27
Saxophone Tenor
27
Clarinette (partie séparée)
26
Saxophone Baryton, Piano
25
Saxophone
24
Cor anglais, Piano
24
Quintette de Flûte : 5 flûtes
22
Clarinette, Violon (duo)
19
Clarinette, Trompette (duo)
19
3 Saxophones (trio)
19
Ensemble de Flûtes
17
2 Hautbois (duo)
17
Hautbois, Basson (duo)
15
Flûte, Violon
15
Saxophone Soprano
13
Quintette de Clarinettes: 5 clarinettes
13
3 Clarinettes (trio)
11
Flute (partie séparée)
11
Flûte, Saxophone (duo)
11
2 Flûte à bec (duo)
10
Clarinette et Alto
10
Flûte et Guitare
9
Hautbois, Clarinette (duo)
9
Flûte, Alto (duo)
8
Flûte à bec Soprano
8
Flûte, Trompette (duo)
8
Hautbois, Flûte
8
Flûte à bec Soprano, Piano
7
Clarinette, Basson (duo)
7
Flûte, Hautbois, Clarinette (trio)
7
Flûte, Violoncelle
6
Quatuor de Flûtes à bec
6
Flûte à Bec
6
Clarinette, Guitare (duo)
6
Clarinette, Harpe (duo)
5
Flûte, Violon, Violoncelle et Piano
5
Clarinette Basse, Piano
5
Flute, harpe et violon
4
Flûte à bec Tenor
4
Cor anglais, Guitare (duo)
4
Saxophone et Guitare
4
Flûte à bec Alto, Piano
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Trio de Flûtes: 3 flûtes
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Flûte, Violon et Violoncelle
3
Flûte, Hautbois (duo)
3
Clarinette, Violoncelle (duo)
2
Flûte à bec Alto, Basse continue
2
Flûte à bec Alto
2
Ensemble De Flûte à bec
2
2 Clarinettes, Basson
2
Saxophone et Harpe
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Instruments en Mib
2
5 Flûtes à bec
2
Flûte et Trio à cordes
2
3 Flûtes à bec (trio)
2
Flûte, Violon, Piano
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Hautbois, Violon
1
Saxophone et Orgue
1
Hautbois
1
Flûte irlandaise
1
Flûte, Harpe et Violoncelle
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Piccolo, Piano
1
2 Saxophones, Piano
1
Ensemble de Hautbois
1
Clarinette Basse
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
162
Quatuor de Cuivres : 2 trompettes, trombone, tuba
150
Trompette
134
Trombone
106
Trombone et Piano
56
Ensemble de Trompettes
53
Trompette, Piano
53
Trombone (partie séparée)
50
Trompette (partie séparée)
50
Quatuor de Cuivres: 2 trompettes, Cor, trombone
49
Cor
45
Ensemble de Trombones
41
2 Trombones (duo)
31
Cor et Piano
30
Tuba
29
Quatuor de Cuivres
29
2 Trompettes (duo)
28
Cor (partie séparée)
24
Cor anglais, Piano
24
Euphonium, Piano (duo)
22
Trompette, Trombone (duo)
20
Trompette, Saxophone (duo)
19
Tuba et Piano
18
Tuba (partie séparée)
12
Quatuor de cuivres: 4 trombones
11
2 Cors (duo)
10
Trompette, Cor (duo)
9
Ensemble de Cors
8
2 Euphoniums et 2 Tubas
8
2 Tubas (duo)
4
Cor anglais, Guitare (duo)
4
Quatuor de cuivres: 4 trompettes
4
Quatuor de cuivres: 4 cors
4
Cor et Harpe
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
4 Tubas
3
3 Trompettes (trio)
2
Trombone basse et Piano
2
Trompette, Harpe
2
Euphonium
2
Trio de Cuivres
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Instruments en Sib
2
Trombone, Tuba (duo)
1
Cor, Tuba (duo)
1
Tuba et Orgue
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3 Trombones (trio)
1
Trombone, Cor (duo)
1
Trompette, Violoncelle (duo)
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Bass Clef Instruments
1
3 Tubas (trio)
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Trompette, Trombone, Piano
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3 Cors (trio)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
396
Violon et Piano
293
Violon
197
Violoncelle, Piano
103
Alto, Piano
87
2 Violons (duo)
84
Violoncelle (partie séparée)
74
Harpe
68
Trio à Cordes: violon, alto, violoncelle
64
Violon, Violoncelle (duo)
63
Alto seul
58
2 Violoncelles (duo)
49
Violon, Alto (duo)
40
Violoncelle
35
2 Altos (duo)
32
Quintette à cordes: 2 violons, alto, violoncelle, basse
23
Contre Basse
23
Ensemble d'Altos
22
Violon (partie séparée)
21
Ensemble de Violons
21
Trio à Cordes: 2 violons, violoncelle
21
Alto (partie séparée)
20
Contrebasse (partie séparée)
18
Contrebasse, Piano (duo)
18
Violon, Guitare (duo)
16
Piano Trio: Violon, Alto, Piano
15
2 Harpes (duo)
13
4 Violoncelles
11
Alto, Violoncelle (duo)
11
Trio à Cordes: 3 violoncelles
9
Harpe, Violon (duo)
8
Trio à cordes
7
Trio à cordes: 3 violins
6
Alto et Harpe
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Violoncelle , Guitare (duo)
4
Trio à Cordes: 2 violons, alto
4
Harpe, Voix
3
Harpe et Piano
3
Quatuor à cordes : 4 altos
3
Alto, Guitare (duo)
3
Quatuor à cordes: 4 violons
3
Harpe, Violoncelle (duo)
2
Trio à cordes: 3 altos
2
Harpe, Violon, Violoncelle
2
Harpe, Flûte (duo)
2
Harpe (partie séparée)
1
Ensemble de Violoncelles
1
4 Harpes
1
4 Contrebasses
1
Violon, Clarinette, Piano (trio)
1
3 Harpes
1
Violoncelle, Orchestre
1
Violoncelle, Contrebasse (duo)
1
Violon, Tuba (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
653
Orchestre
181
Orchestre à Cordes
156
Orchestre de chambre
135
Ensemble de cuivres
95
Ensemble Jazz
79
Batterie
65
Cloches
36
Percussion (partie séparée)
23
Jazz combo
20
Ensemble de Percussions
16
Batterie (partie séparée)
10
Fanfare
10
Vibraphone
3
Orchestre, Violon
2
Timbales (partie séparée)
2
Marimba
2
Vibraphone et Marimba
1
Piano et Orchestre
1
2 Marimbas
1
Caisse Claire
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
5
Théorie de la musique
3
Vous avez sélectionné:
- 10 Years
Orchestre
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Holding Back The Years
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1076562 By Simply Red. By Mick …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1076562 By Simply Red. By Mick Hucknall and Neil Moss. Arranged by Kevin Riley. Pop. Score and parts. 30 pages. Kevin Riley #680701. Published by Kevin Riley (A0.1076562). Holding Back the Years is the seventh track on Simply Red's debut studio album Picture Book (1985). It remains their most successful single, having reached number one on the US Billboard Hot 100 and number two on the UK Singles Chart. It is one of two Simply Red songs (the other being their cover of If You Don't Know Me by Now) to reach number one in the US. It also reached number four on the Adult Contemporary chart. Holding Back the Years had initially been released in the UK the year before, reaching number 51. The song was nominated in the category of Best Pop Performance by a Duo or Group with Vocals at the 29th Annual Grammy Awards.
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Orchestre
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Simply Red
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Kevin Riley
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Holding Back The Years
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Kevin Riley
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SheetMusicPlus
The Fiddle Concerto (violin solo part – violin and symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861946 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861946 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6208695. Published by Mark O'Connor Musik International (A0.861946). The Fiddle Concerto (violin solo part – violin and symphony orchestra) MO120BViolin Solo Part (score and parts available)Music by Mark O’Connor19 pages - 45:00 minutes in length The FIDDLE CONCERTO for violin and orchestra is Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO120BCopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$20.00
18.41 €
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Orchestre
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Mark O'Connor
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The Fiddle Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
The Fiddle Concerto (string parts – violin and symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861951 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861951 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Mark O'Connor Musik International #6208705. Published by Mark O'Connor Musik International (A0.861951). The Fiddle Concerto (string parts – violin and symphony orchestra) MO120P-UString Parts (score and parts available)Music by Mark O’Connor157 pages - 45:00 minutes in length The FIDDLE CONCERTO for violin and orchestra is Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO120P-UCopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$75.00
69.05 €
#
Orchestre
#
Mark O'Connor
#
The Fiddle Concerto
#
Mark O'Connor Musik International
#
SheetMusicPlus
The Fiddle Concerto (wind parts – violin and symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861947 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861947 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 111 pages. Mark O'Connor Musik International #6208697. Published by Mark O'Connor Musik International (A0.861947). The Fiddle Concerto (wind parts – violin and symphony orchestra) MO120C-HWind Parts (score and parts available)Music by Mark O’Connor111 pages - 45:00 minutes in length The FIDDLE CONCERTO for violin and orchestra is Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO120C-HCopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$75.00
69.05 €
#
Orchestre
#
Mark O'Connor
#
The Fiddle Concerto
#
Mark O'Connor Musik International
#
SheetMusicPlus
The Fiddle Concerto (brass parts – violin and symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861948 Composed by Mark O'Conno…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.861948 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 81 pages. Mark O'Connor Musik International #6208701. Published by Mark O'Connor Musik International (A0.861948). The Fiddle Concerto (brass parts – violin and symphony orchestra) MO120I-MBrass Parts (score and parts available)Music by Mark O’Connor81 pages - 45:00 minutes in length The FIDDLE CONCERTO for violin and orchestra is Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO120I-MCopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$75.00
69.05 €
#
Orchestre
#
Mark O'Connor
#
The Fiddle Concerto
#
Mark O'Connor Musik International
#
SheetMusicPlus
Dove
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.742596 Composed by Sebastian Yr…
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Full Orchestra - Level 3 - Digital Download SKU: A0.742596 Composed by Sebastian Yradier and Shan Zhang. Arranged by Javier MartÃnez Maya. Contemporary. Score and parts. 59 pages. Arte Nova Music Lab #6432131. Published by Arte Nova Music Lab (A0.742596). La Paloma, The Dove in English, is a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was composed and written by the Spanish composer from the Basque region Sebastián Iradier (later Yradier) in the 1850s. In 1879, it was registered at the copyright office in Madrid as a Canción Americana con acompañamiento de Piano. Iradier was to die in obscurity within few years, never to learn how popular his song would become.Very quickly, La Paloma became popular outside of Spain, particularly in Mexico, and soon spread around the world. In many places, including Afghanistan, Cuba, Colombia, Hawaii, the Philippines, Germany, Romania, Venezuela, Zanzibar, and Goa it gained the status of a quasi-folk song. Over the years, the popularity of La Paloma has surged and receded periodically, but never subsided. It may be considered one of the first universal popular hits and has appealed to artists of diverse musical backgrounds. There are more than one thousand versions of this song, and together with Yesterday by The Beatles, is one of the most-recorded songs in the history of music; it is certainly the most-recorded Spanish song.Taken from https://en.wikipedia.org/wiki/La_Paloma
$60.00
55.24 €
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Orchestre
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Sebastian Yradier and Shan Zhang
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Javier MartÃnez Maya
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Dove
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Arte Nova Music Lab
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SheetMusicPlus
THE GREAT WALL CONCERTO For Piano & Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1316174 By ROBERT VAN HORNE. By…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1316174 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Multicultural,Romantic Period,World. 175 pages. White Piano International Publishing #904561. Published by White Piano International Publishing (A0.1316174). THE GREAT WALL CONCERTO for Piano & Orchestra by ROBERT VAN HORNE175 PagesPiano & Full Orchestra – AdvancedConductor Score & All Instrumental Parts IncludedApprox. Duration 13 minutes; 30 secondsComposing THE GREAT WALL CONCERTO for Piano & Orchestra was a journey of inspiration, passion, and deep personal connection for me. Having traveled to China, I was most impressed with seeing the Great Wall. Years later, I composed a musical work for piano and orchestra - a creative and classic concerto that captures the Great Wall's grandeur and majestic attraction.My first visit to the Great Wall of China was in 1983 while engaged as a pianist onboard a cruise ship that sailed the waters of Asia. My first impression seeing the Great Wall and the scenic landscape surrounding it, was one of awe and amazement.At that time, I did not realize the lasting effect this memorable attraction would have on me. Inspired and motivated by several cherished Chinese excursions to the Great Wall during my cruise ship engagement, I began the monumental task of scoring music for piano and orchestra several years later. An excerpt from 2008 Music Teacher of California Magazine review states “…The Great Wall Concerto is pleasant to listen to and has a retro 1940’s movie soundtrack mood about it - Rachmaninoff style chords against melodies in the strings...Listening to this piece, I imagined a film starring Joan Fontaine and Claude Rains as star crossed lovers fleeing their respective spouses on a visit to China.â€After many years of offering the score directly to Music Directors around the world, I am now publishing THE GREAT WALL CONCERTO with Sheet Music Plus and Sheet Music Direct.THE GREAT WALL CONCERTO is an ideal work for professional, semi-professional, pops, college and university orchestras as well as community orchestras. It can be added to any concert program featuring a guest piano soloist, and a violinist or erhu soloist.The Conductor’s Score and all Instrumental Parts are legibly notated with phrasing, dynamics, accents, and musical word descriptions. All the individual instrument parts have easy page turns with large readable scores.This 2006 recording of THE GREAT WALL CONCERTO is for demo purposes only. Except for the piano, all other instruments are digital samples. This recording does not include all the instrumental parts being heard. THE GREAT WALL CONCERTO arrangement for Two Pianos, Four Hands is also available and published by White Piano International Publishing. Robert Van Horne is a member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$59.99
55.23 €
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Orchestre
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ROBERT VAN HORNE
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THE GREAT WALL CONCERTO For Piano & Orchestra
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White Piano International Publishing
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SheetMusicPlus
Greater Adria Symphonic Poem in F-sharp major
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.925405 Composed by Meng-Hsuan G…
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Full Orchestra - Level 3 - Digital Download SKU: A0.925405 Composed by Meng-Hsuan Gloria Lin. Arranged by Meng-Hsuan Gloria Lin. Contemporary. Score and parts. 15 pages. Meng-Hsuan Gloria Lin #5038191. Published by Meng-Hsuan Gloria Lin (A0.925405). This is a symphonic poem I composed about the long-lost continent Greater Adria, which broke off from Northern Africa about 240 million years ago and began slipping beneath southern Europe about 100 million years ago. It’s so poignant and beautiful that after hundreds millions of years those prehistoric lives all disappeared the lost-continent which they lived on finally had been discovered . So that I created this symphonic poem.
$50.00
46.04 €
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Orchestre
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Meng-Hsuan Gloria Lin
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Meng-Hsuan Gloria Lin
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Greater Adria Symphonic Poem in F-sharp major
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Meng-Hsuan Gloria Lin
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SheetMusicPlus
Delius: La Calinda (from Koanga) for Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1308584 By Frederick Delius. By…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1308584 By Frederick Delius. By Frederick Delius. Arranged by Flavio Regis Cunha. 19th Century,Classical,Contest,Festival,Film/TV. Score and Parts. 26 pages. Flavio Regis Cunha #897825. Published by Flavio Regis Cunha (A0.1308584). Another of Delius’s best-known works falls into the same category as The Walk to the Paradise Garden, being an interlude from an opera that is now rarely heard in full. Koanga predates A Village Romeo and Juliet by just four years and comes from the composer’s Bohemian years in Paris during the 1890s. Delius himself considered it his best opera to date. It was his third after Irmelin and The Magic Fountain and it drew on his experiences in the orange groves of Florida. The hero of the opera, Koanga, is an African prince and voodoo priest, now working as a slave on a Mississippi plantation. Delius incorporated a traditional Martinique dance from the seventeenth century into the plot, for which he wrote a small musical interlude, borrowing from something he had written earlier in his first orchestral work, the Florida Suite. When his trusty companion and scribe Eric Fenby arranged the interlude for orchestra in 1938 – some forty years later – it quickly became another hardy perennial on concert programmes up and down the land.
$49.99
46.03 €
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Orchestre
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Frederick Delius
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Flavio Regis Cunha
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Delius: La Calinda
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Flavio Regis Cunha
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SheetMusicPlus
The Fiddle Concerto (percussion parts – violin and symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861949 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861949 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik International #6208703. Published by Mark O'Connor Musik International (A0.861949). The Fiddle Concerto (percussion parts – violin and symphony orchestra) MO120N-OPercussion Parts (score and parts available)Music by Mark O’Connor34 pages - 45:00 minutes in length The FIDDLE CONCERTO for violin and orchestra is Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO120N-OCopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$40.00
36.83 €
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Orchestre
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Mark O'Connor
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The Fiddle Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
The Oath of Silence, An Opera in Four Acts, Full Orchestral Score (Concert Pitch) - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1284590 Composed by James Natha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1284590 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. 259 pages. James Nathaniel Holland #875765. Published by James Nathaniel Holland (A0.1284590). FULL SCORE (Concert Pitch).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$34.50
31.77 €
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Orchestre
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James Nathaniel Holland
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The Oath of Silence, An Opera in Four Acts, Full Orchestral Score
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James Nathaniel Holland
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SheetMusicPlus
The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 1 of 2 (WW, Brass, Perc.)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1286761 Composed by James Natha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1286761 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. Score and Parts. 224 pages. James Nathaniel Holland #877785. Published by James Nathaniel Holland (A0.1286761). INDIVIDUAL INSTRUMENTS PART 1 of 2 (Woodwinds, Brass, Percussion).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, small gong, wood blk, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$30.95
28.5 €
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Orchestre
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James Nathaniel Holland
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The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 1 of 2
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James Nathaniel Holland
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SheetMusicPlus
The Fiddle Concerto (score – violin and symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861945 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861945 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 166 pages. Mark O'Connor Musik International #6208693. Published by Mark O'Connor Musik International (A0.861945). The Fiddle Concerto (score – violin and symphony orchestra) MO120AScore (parts available)Music by Mark O’Connor162 pages - 45:00 minutes in length The FIDDLE CONCERTO for violin and orchestra is Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO120ACopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
27.62 €
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Orchestre
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Mark O'Connor
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The Fiddle Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
The Crown Main Theme
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1430569 Composed by Hans Zimmer…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1430569 Composed by Hans Zimmer, Lorne Balfe, and Rupert Gregson-Williams. Arranged by John Langley / Studio Orchestrations. Classical,Film/TV,Historic,Patriotic. 41 pages. Www.studio-orchestrations.com #1011096. Published by www.studio-orchestrations.com (A0.1430569). The ground breaking Netflix epic TV biopic series was indeed a huge sea change in home streaming content output, bringing together some of Britain's biggest names in theatre, film and TV to portray the history of Queen Elizabeth II's 70 years as the UK monarch. Controversial at times, it had many critics but it was hugely popular with no less than 4 actresses taking on her portrayal.The respect, sensitivity and gravitas we would expect for a histirical drama production like this was self evident from the opening credits and the accompanying music. The theme that Balfe, Gregson Williams and Zimmer created perfectly framed and set up each episode beautifully. A little known fact is that it is based on a song written 400 years before it by Henry Purcell in his 'semi-opera' KING ARTHUR. The harmonies Purcell wrote in his 'Cold song' were very progressive for the time it was written but provides a wonderful bed for the modern writing team to use as their inspiration.This orchestration follows the original TV soundtrack as closely as possible for standard concert orchestra instrumentation:2 FlutesPiccolo2 Oboes2 Clarinets1 Bass Clarinet2 Bassoons4 Horns3 Trumpets3 TrombonesTubaTimpani2 Percussion[Taiko Drum/Large Bass Drum]StringsCheckout some of the growing list of other titles now available on this website scored by Studio Orchestrations.
$90.00
82.87 €
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Orchestre
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Hans Zimmer, Lorne Balfe, and Rupert Gregson-Williams
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The Crown Main Theme
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www.studio-orchestrations.com
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SheetMusicPlus
Restaurador / Renovator "Alfonso of Arcos Mayor of Tarifa and Mayor of Gibraltar"
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1364649 By Alicia DomÃnguez …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1364649 By Alicia DomÃnguez Arcos Sonay. By Alicia DomÃnguez Arcos. Arranged by Alicia DomÃnguez Arcos. Classical,Contemporary,Film/TV,Medieval,Multicultural,World. 346 pages. Alicia Dominguez #948939. Published by Alicia Dominguez (A0.1364649). Complete opera (Prelude and four acts) 346 pages in band/symphony orchestra and voices. About the history of the 15th century of Alfonso de Arcos mayor of Tarifa and first mayor of Gibraltar, in which he restored both Alcazarseguer, Estepona, Jimena de la Frontera, being mayor of Tarifa and then being the first mayor of Gibraltar. With all his achievements, in his last years he was the one who maintained La Cartuja de Sevilla with 100 needy people then who remained in La Cartuja. where he even attended King Henry IV as well as the King of Portugal. Then with the money earned from his achievements, La Cartuja was maintained for 200 years, helping needy people or captives from Gibraltar, Tarifa and North Africa. The sheet music is in English and Spanish. It has not yet been performed on stage.
$25.00
23.02 €
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Orchestre
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Alicia DomÃnguez Arcos Sonay
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Alicia DomÃnguez Arcos
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Restaurador / Renovator "Alfonso of Arcos Mayor of Tarifa and Mayor of Gibraltar"
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Alicia Dominguez
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SheetMusicPlus
Halloween Theme
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1102324 By John Carpenter. By J…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1102324 By John Carpenter. By John Carpenter. Arranged by Kevin Riley. 20th Century,Film/TV,Halloween. Score and Parts. 44 pages. Kevin Riley #705731. Published by Kevin Riley (A0.1102324). Halloween is a 1978 American independent slasher film directed and scored by John Carpenter, co-written with producer Debra Hill, and starring Jamie Lee Curtis (in her film debut) and Donald Pleasence, with P. J. Soles and Nancy Kyes appearing in supporting roles. The plot centers around a mental patient, Michael Myers, who was committed to a sanitarium for murdering his babysitting teenage sister on Halloween night when he was six years old. Fifteen years later, he escapes and returns to his hometown, where he stalks a female babysitter and her friends, while under pursuit by his psychiatrist. Filming took place in Southern California in May 1978; the work premiered in October, whereupon it grossed $70 million, becoming one of the most profitable independent films of all time. Primarily praised for Carpenter's direction and score, many critics credit the film as the first in a long line of slasher films inspired by Alfred Hitchcock's Psycho (1960), and Bob Clark's Black Christmas (1974). It is considered one of the greatest and most influential horror films ever made. In 2006, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being culturally, historically, or aesthetically significant. Halloween spawned a film franchise comprising thirteen films which helped construct an extensive backstory for its antagonist Michael Myers, sometimes narratively diverging entirely from previous installments. A direct sequel of the film was released in 1981. A remake was released in 2007, which was followed by a sequel in 2009. An eleventh installment, which serves as a direct sequel to the original film that retcons all previous sequels, was released in 2018; this was followed by two direct sequels: Halloween Kills (2021) and the upcoming Halloween Ends (2022). Additionally, a novelization, a video game and comic book series have been based on the film.
$70.00
64.45 €
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Orchestre
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John Carpenter
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Kevin Riley
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Halloween Theme
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Kevin Riley
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SheetMusicPlus
Jurame
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.742593 By Andrea Bocelli. By Ma…
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Full Orchestra - Level 4 - Digital Download SKU: A0.742593 By Andrea Bocelli. By Maria Grever. Arranged by Javier MartÃnez Maya. Contemporary. Score and parts. 44 pages. Arte Nova Music Lab #6432101. Published by Arte Nova Music Lab (A0.742593). MarÃa Grever (14 September 1885 – 15 December 1951) was the first female Mexican composer to achieve international acclaim. She is best known for the song What A Difference A Day Makes (originally Cuando vuelva a tu lado), which was popularized by Dinah Washington and has been covered by numerous artists. Grever wrote more than 1000 songs - the majority of them boleros - and her popularity reached audiences in Latin America, Europe, and the United States. She was said to have possessed perfect pitchand wrote most of her songs in one key. Her first piece of music, a Christmas carol, was composed when she was four years old. She wrote her first song when she was 18 years old, A Una Ola (To a Wave), and it sold three million copies.Taken from https://en.wikipedia.org/wiki/Mar%C3%ADa_Grever
$60.00
55.24 €
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Orchestre
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Andrea Bocelli
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Javier MartÃnez Maya
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Jurame
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Arte Nova Music Lab
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SheetMusicPlus
Soliloquy
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1101485 Composed by Bob Atwell.…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1101485 Composed by Bob Atwell. 20th Century,Contemporary. Score and parts. 140 pages. Bob Atwell Music #704861. Published by Bob Atwell Music (A0.1101485). This piece is for orchestra but grouped as 4 quintets plus strings. This piece started as an elegy for Ruth Bader Ginsburg. I decided to use the notes D, Bb and G as a mini motif to represent her initials. The fact that she spent 13 years (a prime number) on the appeals court and 27 years (3 cubed) on the Supreme Court induced me to extend the motif to a 5, 7 and 11 note set of pitches. These (and their inversions) became the basis for the work's melodies.
$60.00
55.24 €
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Orchestre
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Bob Atwell
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Soliloquy
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Bob Atwell Music
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SheetMusicPlus
A Sky Full Of Stars
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1110638 By Coldplay. By Avicii,…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1110638 By Coldplay. By Avicii, Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Adrian Keating. 20th Century,Contemporary,Rock. Score and parts. 68 pages. Adrian Keating #712937. Published by Adrian Keating (A0.1110638). SKY FULL of STARS orchestral arrangement opens as a Harp Solo commissioned for a Corporate Function nearly 5mins in length possible for Intermediate-Level youth ensemble 2 Flutes 2 Oboes 2 Clarinets Bb 1 Bassoon 2 Trumpets Bb 2 Horns 2 Trombones 1 BassTrombone Timpani Snare Bass Drum susp Cymbal Harp Violin solo / Violin 1 Violin 2 Viola solo / viola Cello Solo / celli Double Bass the styles of my arrangements are based on 30+ years experience as a Principal Violinist with Opera Australia & 30+ years as an Electric Violinist playing in live bands.
$59.99
55.23 €
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Orchestre
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Coldplay
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Adrian Keating
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A Sky Full Of Stars
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Adrian Keating
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SheetMusicPlus
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).
$49.95
45.99 €
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Orchestre
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Adrian Gagiu
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Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
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Adrian Gagiu
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SheetMusicPlus
The Phoenix
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1024262 Composed by Nathan Reic…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1024262 Composed by Nathan Reichwein. 20th Century,Contemporary,Sacred. Score and parts. 130 pages. Nathan Reichwein #2918053. Published by Nathan Reichwein (A0.1024262). The Phoenix. FULL SCORE AND INDIVIDUAL PARTS. This short modern symphony tells the story of the mighty phoenix, which resemble the crucifixion of Jesus Christ. The first movement, The Waning Years, brings us through the mystery and uncertainty before Christ was arrested by the Romans. The second movement, Death, stabs our hearts with long drawn out minor and dissonant chords that communicate the pain He felt, before it was instantly over and for the next three days, more uncertainty. The third movement, Resurrection, is a mighty fanfare to declare to the world that Christ has risen. For he who believes in him shall not perish, but will enjoy everlasting life. The final movement: The Years to Come, takes us to that life with no pain nor sin.
$44.99
41.42 €
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Orchestre
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Nathan Reichwein
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The Phoenix
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Nathan Reichwein
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry PÃ…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
35.86 €
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Orchestre
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry PÃ…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
27.58 €
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Orchestre
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Musik Fabrik Music Publishing
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SheetMusicPlus
Australia Our Land - Orchestra with SATB Choir and Piano
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1033685 By Brendan James Ellige…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1033685 By Brendan James Elliget NotePerformer 3. By Brendan James Elliget MAGA 537. Arranged by Brendan James Elliget MAGA 537. Classical,Contemporary,Patriotic. Score and parts. 41 pages. BJE Music #638998. Published by BJE Music (A0.1033685). The words for this song were written as a poem by my late mother-in-law Olivia Morgan (94) about the love of her adopted country Australia. She originally came from her ancestral home in England when she was 14. She spent her early years in Australia on a cattle station. Many years later she wrote a poem. Olivia asked me to set her poem to music, which I did in 1990 in the style of an anthem. It has since been performed by the local symphony orchestra and full choir. This setting is for SATB Choir and Orchestra with or without piano accompaniment. The MP3 was recorded with NotePerformer… Grade = 3 Duration = 2:35 mins Full lyrics: Australia Our Land Australia great and fair Contained in azure sea Her beauty lies 'neath southern skies Enchanted wide and free From oceans pounded shore Through outback's silent space O'er desert sands and city strands She shows her varied face. Where high the eagle flies And mighty rivers run There rolling plains of golden grain Reflect the west'ring sun In bushland's shaded scene By mountain's dreaming haze There bird-land calls cascading falls Combine their songs of praise. Our country's bounteous gifts Extend from shore to shore In history's place, Her pride and grace Will live forever more This land that keeps our heart Afar though we may roam On land or sea Yet still to be Australia our dear home. (Repeat last two lines) Sung by Christine Neaves (Daughter of Brendan and Glenys Elliget) Words by Olivia Morgan (Mother of Glenys Elliget) Music by Brendan Elliget Copyright © 1996 BJE Music You can listen to the Vocal version at: https://www.bjemusic.com/store/p149/Australia%2C_Our_Land_-_SATB_Choir_or_Solo_Voice_with_Piano_PDF.html.
$28.00
25.78 €
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Orchestre
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Brendan James Elliget NotePerformer 3
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Australia Our Land - Orchestra with SATB Choir and Piano
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BJE Music
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.02 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
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